ANIARA

It was only when watching 2017's " Three Billboards Outside Ebbing, Missouri" that I realised how anti-Catholic Hollywood had become. The Jewish-controlled media is saturated with concerns about anti-Semitism but there is nary a mention made of instances of anti-Catholicism. In the movie just mentioned, a Catholic priest comes to visit the character played by Frances McDormand and she launches into a foul-mouthed tirade. It is described in Catholic News Service as follows:

Earlier in the proceedings, a priest visits Mildred (a recently lapsed Catholic) to remonstrate with her about the strife her billboards are causing. In response, she launches into a tirade in which she compares Catholic clergymen to the members of violent street gangs and applies the principle of collective guilt to claim that even good priests are complicit in their evil peers' crimes against children. 

This cruel and unreasonable denunciation will rightly outrage the sensibilities of Catholic moviegoers. Add to it the picture's ill-advised treatment of suicide and a climactic sequence that toys with justifying murderous revenge -- though the outcome is left unclear -- and the verdict on this aesthetically accomplished piece of cinema must be that it is spiritually unfit for all. 

The film contains anti-Catholicism, a skewed view of suicide, an ambivalent treatment of vigilantism, some violence with brief gore, numerous profanities and at least one milder oath as well as pervasive rough and frequent crude language. The Catholic News Service classification is O, morally offensive. The Motion Picture Association of America rating is R, restricted with under 17 requires accompanying parent or adult guardian.

Mildred's outburst is clearly inserted for shock value as it does not add to the storyline. The relationship between Hollywood and the Catholic Church goes back a long way, as I discovered when reading E. Michael Jones' book "The Jewish Revolutionary Influence and its Impact on World History". To quote from page 776 of that book:

The outcry against Hollywood's subversion of morals was so great that federal, state and local legislation was proposed as an antidote. To head off legislation, Hollywood's Jews in 1934 entered into a voluntary agreement, the Production Code, with the Legion of Decency, a Catholic operation. The Catholics had forced the issue by organising boycotts when the film industry was reeling. 

Henry Ford admired Catholic resistance to Jewish Hollywood, even before imposition of the Code. Unlike Protestant clergymen who were regularly ridiculed in Hollywood films, "The Catholic clergy very soon made themselves felt in opposition to this abuse of their priestly dignity, and as a result of their vigorous resentment the Jew climbed down. You now never see a priest made light of on the screen. But the Protestant clergyman is still the elongated, snivelling, bilious hypocrite of anti-Christian caricatures."

How things have changed. The Production Code terminated in 1965. Joe Breen, who oversaw the Production Code for 20 years had this to say about the Hollywood elite (again I'm quoting from page 776 of the book):

They are simply a rotten bunch of vile people with no respect for anything beyond the making of money.... Here [in Hollywood] we have Paganism rampant and in its most virulent form. Drunkenness and debauchery are commonplace. Sexual perversion is rampant,'" any number of our directors and stars are perverts.... These Jews seem to think of nothing but moneymaking and sexual indulgence. The vilest kind of sin is a common indulgence hereabouts and the men and women who engage in this sort of business are the men and women who decide what the film fare of the nation is to be. They and they alone make the decision. Ninety-five percent of these folks are Jews of an Eastern European lineage. They are, probably, the scum of the earth.

Strong words and probably more true today than it was then but, oddly enough considering today's sensitivities, the Hollywood barons of the time didn't regard Joe Breen as an anti-Semite:

Joe Breen, who had railed against the immorality of the Hollywood Jews, had learned from them, and they from him. They would not have asked him to run RKO Pictures if he had been truly anti-Semitic. They would not have flown him here and there. They would not have invited him into their homes. And they certainly would not have given him an Academy Award. He had convictions. He was a fighter, but he didn't hate.

This of course is the point. One can criticise Jewish control of Hollywood or the media or American foreign policy without hating Jews. Of course, organisations like the Anti Defamation League or ADL view any explicit mention of Jewish control or any criticism of Jews or Israel as anti-Semiticism. Imagine the outcry if Mildred launched into a similar tirade against Rabbinical Judaism. Frances McDormand, who comes from a Protestant background, is married to Joel Coen (one half of the famous Coen brothers). 

Lately I've grown increasingly disillusioned with Hollywood movies, Netflix series and the like and so last night I chose to watch a Swedish science fiction movie, Aniara. However, it was more of the same Hollywood crap. To quote from a Rotten Tomatoes review:

ANIARA is the story of one of the many spaceships used for transporting Earth's fleeing population to their new home-planet Mars. But just as the ship leaves the destroyed Earth, she collides with space junk and is thrown off her course. The passengers slowly realize that they'll never be able to return. The protagonist, MR, runs a room where a sentient computer allows humans to experience near-spiritual memories of the Earth. As the ship drifts further into the endless void more and more passengers are in need of MRs services. Pressure builds on MR as she is the only one who can keep the growing insanity and lethal depression at bay. In Aniara's inexorable journey towards destruction there is a warning that cannot be emphasised enough. There's only one Earth. It's time to take responsibility for our actions.

In short, more propaganda to support the Global Warming Alarmists who believe that humanity is headed for disaster because of uncontrolled carbon dioxide emissions. The protagonist also gets involved in a lesbian relationship and her lover becomes pregnant after a group sex orgy. Together they raise the resulting infant although it doesn't end well. Again more propaganda, this time in support of the LBGT agenda that disparages the cliché of a mother and a father as being so yesterday and proposes that mother and mother or father and father are equally viable options. It seems that Hollywood has infected the entire world.